GUJRAT NO SANKRUTIK VARSO -PDF

 GUJRAT NO SANKRUTIK VARSO -PDF


Gujarat no Sanskrutik Varaso :- click here

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 GUJRAT NO SANKRUTIK VARSO -PDF

→ The word Nritya is derived from the original Sanskrit word “nrit”. Dance is a means of conveying the feeling of beauty with rhythm and rhythm.

→ Dance flourished from Mohejoddo and Harappan times and became a strong part of society during Panini-Kautilya period. Rules were fixed for it and then it was given the form of scripture.

→ India has as many dances as there are regions. The regions spread from Kashmir to Kanyakumari and from Saurashtra to Assam include various types of folk dances. Like the region and the atmosphere, the same effects are found in the folk dance there.

→ Although all folk dances belong to one genre, thdance of each region is found in different musics andifferent styles due to the non-differentiating effects of language, customs, dress and natural environment etc.

 GUJRAT NO SANKRUTIK VARSO -PDF

→ Bharata Muni's "Natyasastra" is considered to be the first canonical book on dance art. It is also called

“Panchveda”.

→ Natyasastra divides all human emotions into 9 (nine) rasas.

(1) Sringara Rasa (2) Veera Rasa (3) Rudra Rasa (4) Fear Rasa (5) Nasty Rasa

(6) Laughter Rasa (7) Karuna Rasa (8) Awesome Rasa (9) Tranquil Rasa

(A) Bharatanatyam

Bharatamuni's "Natayashastra" and Nandikesvara's "Abhinava Darpana" are the two texts that are the basic sources of Bharatanatyam.

→ Found from Mohjedando, site of Harappan civilization This dance is also seen in "Nrityakarti Mahila Ni Murthy" appears engraved. From this it can be concluded that classical dance form was prevalent in Gujarat in that era.

→ The form of Bharatanatyam dance that is seen today. His success goes to four brothers named “Chintaya”, “Ponnaya”, “Shivanandam” and “Vadivellu”. These four brothers created the Padachala of Bharatanatyam dance, the bands of its components.

 GUJRAT NO SANKRUTIK VARSO -PDF 

→ Weaved is “Khela” in Indian classical musicEnrolled in Vipolicy. The sequence of Bharatanatyam is as follows – Agadip (Allari) =

→ This is done to praise the deity, Guru and the audience. In this the dancer begins the dance by worshiping his idol. Atiswaram

→ In this various organs and points are performed in left-right synchronicity through tone and rhythm. Shabdam:

→ In this, God is worshiped through poetry, that is, God is glorified.Varnam A beautiful blend of dance and vritta is seen in this. Interest is expressed through pure gestures. This is the most difficult dance form of Bharatanatyam. Varna tests the artist's craft. Padam and Javali: Varnam is followed by padam, javali etc., the intermingling of various sailors in the primal states – the nine rasas – is a fascinating and enjoyable sight. Tillana:tyana+ant is represented in tillana. In this, the rhythm of the rhythm was beautifully presented and attracted the audience



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